Salon music was published in various forms: single editions, albums, or as musical additions to journals. The offer of Serbian publishers of music sheets publicized salon music prominently, which was a consequence of increased demand for note editions intended for home performances. Brothers Kamenko and Pavle Jovanović from Pančevo, as well as brothers Đorđe and Kirilo Popović from Novi Sad and Mita Stajić, who developed his business in Belgrade, greatly contributed to the development of Serbian bookshops and publishing, as well as to printing music sheets. The appearance of “publishing bookshops” brought about a change in placing books on the market. Until the 1870’s composers mainly published their own works, either by paying for it or by finding patrons. The widow of the Vienna music publisher Heinrich Friedrich Müller printed salon dances for the piano, while the piano compositions of Kornelije Stanković were published with renowned Vienna publishers Pietro Mechetti and Gustav Albrecht. The first collections of Serbian folk songs and dances were published in mid-19th century in Vienna by Alojz Kalauz and then by Kornelije Stanković. Until mid-19th century in Serbia only some musical pieces were occasionally published with foreign publishers.
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